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ONLINE &
CLASSROOM BASED COURSES
LONDON • BERLIN • LOS ANGELES • NEW YORK
Online courses
Classroom Based
Training Schedule
December 18- January 19
| City/Venue | Dates | Courses | Enroll |
|---|---|---|---|
| LA AbelCine LA 801 S Main St, Burbank California 91506, USA |
4-5 February 6-7 February |
Colour Managed Workflow HDR in Production | Enroll Enroll |
| NY AbelCine NY 88 35th Street, 4th Floor, Brooklyn, NY 11232 USA |
21 -22 Feb. 25-26 Feb. |
Colour Managed Workflow Beauty and Retouching for Motion Pictures with Dado Valentic | Enroll Enroll |
| LA AbelCine LA 801 S Main St, Burbank California 91506, USA |
18-19 March 20-21 March |
Feature Film Masterclass Beauty and Retouching for Motion Pictures with Dado Valentic | Enroll Enroll |
Our courses are different in a way that they teach you the art and science of colour manipulation and not just how to use and operate the software. Our specific school of thought, philosophy, and approach to colour manipulation has become a runaway success amongst filmmakers around the world.
We have taken this classroom based training experience to the next level by introducing the latest techniques in interactive learning and are proud to present our new online training classes. Our online courses will increase the effectiveness of your learning through practical exercises and tests. You are encouraged to constantly explore new possibilities and develop your own style. Our courses are recommended for Colourists, DITs, DOPs, VFX artists, post-production supervisors and editors. In fact, anyone with a desire to understand digital colour will benefit from this unique training.
Colour Managed Workflow
Bespoke Training Service
Color Managed Workflow started as a training for high-end feature film production teams and has established itself as a reference training for production teams looking to advance their image quality. This training is now available as a part of our Bespoke Training Service for networks, production and post-production companies and businesses in TV and Film production looking to fast-forward their production teams and bring them to the latest standards.
NEW COURSES!
BEAUTY RETOUCH
NYC 25 – 26 February
The ultimate hands-on practical training on how to control the visual appearance of skin, the techniques that shape and modify the look and feel, and advanced retouching techniques that can be deployed using Davinci RESOLVE, FUSION and MOCHA.
One could argue that half of the colorist’s job is to grade skin tones. With 4K now being a standard and with increased screen quality, the appearance of the skin has become more challenging than ever. It is impossible to master and finish production without having to give the skin some form of treatment. While motion picture skin re-touching was originally limited to a few high-end film or commercial productions, today is a constantly growing world of digital media content and its different delivery channels. It has become a rule that everyone needs high-end finishing look whether this be for film, commercial, Netflix, Instagram or Facebook.
HDR for Davinci Resolve
LA 6 – 7 February
In the last two years, we have seen an exponential growth of HDR productions. As a result, there is a big demand for colorist skilled in grading and delivering in HDR. This intensive two-day masterclass will prepare you for the job of grading and delivering HDR shows for Netflix, Amazon or any other HDR channel using Davinci Resolve.
Testimonials
I was extremely pleased to find in Dado a great professional and an amazing teacher with so much experience. He had answers to any questions, had patience and a great sense of humor. On top of everything, he seems very much in love with his job and I consider this to be his greatest attribute. The classes are well conceived, efficient and organized. ColourTrainingis a great place to start the color grading road or to develop into a better colorist”
Andu Radu // Film editor // Romania
Grading 101 did teach me a lot of technical stuff which I’d half understood before (a dangerous position to be in!) and by the end of the course I felt I could do much of the basic grading with a proper understanding of what was behind it.
Mike Cunliffe // Director
Hi Dado,
If they gave oscars for teaching you would have already won ten of them, it’s a special talent you have (like Robin Williams in the Dead Poets Society)… and I will never look at a chicken’s legs the same way again!
Take care man and good luck with all your projects.
Jamie Curtis // Filmmaker // Photographer
I worked for 4 years in post-production studio as a colorist and I found out about the course on the internet. Berlin was the city which made the whole experience unique.
Maryna Tkachenko // Kyiv // Ukraine
I have been a professional DIT since 2009, working with the tools the course was based around and, as such, expected the course to be more of a refresher and, at best, hoped that I might pick up a couple of alternative ways of approaching things. Instead, you gave me techniques and principles that have revolutionised my practice, making me faster, more flexible and ultimately just better.
I was able to put the skills and knowledge you gave me into practice on the very next job, using both the little shortcuts and tricks you gave us and, more importantly, applying the broader principles of colour science that I’ll be able to use and build upon for a long time to come.
Alex Parkinson // DIT