Pablo is recognized as the world’s leading color scientist for live broadcast shows, and together with his partner Nick Shaw, he has developed a suite of tools that have become the industry standard for HDR and SDR color management in high-profile live sports events. His impressive credits include: Beyond his unmatched experience, Pablo is also […]
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Barbara Flückiger on Film Restoration
Barbara Flückiger is a leading expert in historical film colors, film preservation, and multispectral scanning. In this lecture, she delves into the complexities of color reproduction in historical film stocks, the role of multispectral scanning in film restoration, and the development of archival workflows that preserve the integrity of delicate analog materials. She also discusses […]
Read MoreIn conversation with Alastor Arnold
I’ve always believed that Alastor Arnold was destined to succeed in this industry. From the very first moment I met him, I was struck by his incredible passion for the craft of color grading. And I wasn’t wrong—my bet on him was 100% spot on. Alastor has just been awarded the HPA Award for Best […]
Read MoreThe Colorist Business Strategy for 2025
As part of the Art of Color Research Group, I’ll be hosting a seminar today for professional colorists titled “The Colorist Business Strategy for 2025.” We’ve all heard the horror stories—post houses shutting down, large VFX companies folding, rental houses closing, teams downsizing… the list goes on. But the real question is: what does this […]
Read MoreAdvanced Color Management For Adobe Seminar
Adobe Premiere Pro has long been a powerful tool for video editors worldwide. However, its color management capabilities have been somewhat limited compared to professional color grading systems. That is, until the recent addition of the Colourlab Engine. The Colourlab Engine transforms Adobe Premiere Pro into a comprehensive color grading suite, making it as capable […]
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