- Introduction to Digital Cinematography
- Light and the human visual system
- Digital camera sensors
- RAW processing pipeline
- Colour spaces
- Gamma, linear, log, PQ
- The truth about resolution, bit depth and compression
- Common digital camera models
- Introduction to Color Science
- What is Colour Science?
- Physics of Colour
- Artistic view on Colour
- Primary Colour Correction
- Secondary Colour Correction
- Colour Cube – 3DLUT
- Expanding our view on Colour
- The mysterious world of illusion
- Colour and Emotion
- Colour and Harmony
- Colour Management Fundamentals
- Colour Managed Workflow overview
- What is Look?
- Colour management On-set
- Colour Management in Datalab
- Digital dailies and Transcoding
- Colour Management in Post Production
- Colour management for VFX
- Colour Management for Masters and Deliverables
- ACES – Academy Colour Encoding
- Davinci Resolve 101
- How to load your software and get started
- Grade different RAW camera formats
- What are waveforms, histograms and scopes?
- Basic Color theory and Primary Color Correction
- Look creation – What are the elements of the look
- Making a LUT, exporting LUTs and Looks
- Secondary correction including qualifiers and curves
- How the nodes work and what are different types of nodes
- Power Windows: Learn why you use them, not just how to use them
- Tracking Windows with the auto tracker
- Keyframing both color correction and framing controls
- Render to Prores REC709 and Web H264 Master
- Davinci 201
- Using a control surface, how it makes us better and faster
- Scene Cut Detect
- Conforming with XML or AAF
- Look Management and Matching
- Plugin FXs, what is Colourlab?
- VFX shots – Green Screen
- Fix noise and out of focus
- Speed changes
- Finishing touches – add grain and scratches
- Render ProRes or DNxHD for Editing, H264 for the web.
- Export and XML/AAF from FCP/Avid/Premiere. How to Round-trip successfully
- Introduction to Feature Film Color Grading
- The short history of Feature Film Colour Grading and the birth of Boutique Post
- Colour Grading Suite set-up
- Project delivery
- Reels, layer management, xml, aaf, offline, audio
- The Art of conform
- Media management
- VFX Workflow
- Opening titles, closing credits and subtitles
- Last-minute edit changes
- Introduction to Commercials Color Grading
- The short history of Commercials Colour Grading and the birth of Remote Grading
- Colour Grading Suite set-up
- Remote Grading tools and options
- Project delivery options
- Option A – Fast Turnaround
- Option B – High-End Clients
- VFX Workflow
- GFX Workflow
- Versions
- HDR Fundamentals
- What is HDR?
- HDR Screens
- Dolby Vision
- HDR10
- HLG
- UHD Premium
- Why Color Management?
- Look Management
- Color Managed Workflow
- Colourlab
